"Samaritan" (fiction) published in The Metaworker

He needs to regain control. No one knows he took her. There’s no one behind them following. He’s safe. For now. He wrestles his phone out of his pocket, then stops. If her mother sees his name pop up, she’ll ignore the call. He looks into the back seat and snatches the phone clenched in her daughter’s trembling hands. Shoots her a cold look, shutting down the beginnings of her protest. It’s already unlocked. He scrolls through her most recent texts, finds one from earlier in the evening labeled Momma. He wipes the blood from the screen onto his pants before hitting the phone icon and holding it up to his ear. 

Every once in a while a publisher reads my fiction and doesn't say, “stop this. Go back to poetry and CNF. Please.” This is such a time.

“Samaritan” is a dark little piece that was just published in The Metaworker.

"best date ever" published in Tidings (2026)

he escorts her loveliness into his rusting ’84 Nissan Stanza, which—

stuck in rush hour traffic—overheats fifteen minutes after leaving

campus, twenty minutes from the first date he painstakingly planned

after she asked him out for Valentine’s Day…

“best date ever” is a college memory in poem form recently published in the latest from Tidings. Read or download the whole anthology here. “best date ever” is on page 39.


"…it is not the stones, / But the child’s mound—” nominated for a Pushcart Prize

Earlier this year, Flight: A Literary Sampler published my golden shovel “…it is not the stones, / But the child’s mound—” in their inaugural issue. Now they have nominated it for a Pushcart alongside some amazing writers, which is very cool.

"Stage Proxemics" nominated for a Pushcart Prize

I'm honored to announce that my creative nonfiction piece “Stage Proxemics” was nominated for a Pushcart Prize by Pangyrus.

My brother is a fucking badass. Always has been. Even before he was my brother. I learned how to walk trying to keep up at Afrocentric art shows, poetry readings, dramatic performances, rallies, and protests. He taught me that Black Lives Mattered before the proto-progressives in Boston had heard of George Floyd or Rodney King. I tell people I’m on at least five government watchlists. Between lessons about IRA activities in local catholic parishes and revolutionaries smoking cigars with Fidel Castro, at least one of those lists is definitely his fault.

Two Poems in Wayfarer Magazine

"Won't you come and Celebrate with me" and "when asked to explain racism as a system of power, again" were published in Wayfarer Magazine.

"Biophobia" [creative nonfiction] published in The Manifest Station

This goes out to all of the people who enjoy being in the “Great Outdoors” and those who dig below surfaces they should really leave alone.

Biophobia” started as an exercise in a Kenyon Review Residency last summer and is now a creative nonfiction essay published in The Manifest Station.

“watching a production of The Tempest after a colleague asked about my relationship with white women” published in Terrain

My poem “watching a production of The Tempest after a colleague asked about my relationship with white women” was published in Terrain.org as part of their Letters to America series. The link includes a reading of the poem.

The poem contains research on Caliban in The Tempest from The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper.

A poem in The Book of Jobs anthology from One Art

My poem “when asked to read a poem for the Black History Month assembly, again” (first published in Cultural Daily) has been republished in the One Art anthology The Book of Jobs.

You can read the whole anthology on One Art through the link below. A fully accessible edition will be published by Penn State University Libraries Open Publishing in 2026.