My poem “…could abash the little Bird” was published in the inaugural issue of The New Verse Review.
It’s an ekphrastic poem based on Emily Dickinson’s '“‘Hope’ is the thing with feathers…”., with a MEH twist.
My poem “…could abash the little Bird” was published in the inaugural issue of The New Verse Review.
It’s an ekphrastic poem based on Emily Dickinson’s '“‘Hope’ is the thing with feathers…”., with a MEH twist.
I don’t flex my academic accomplishments, but it’s relevant to understand where this poem comes from.
BA in English and Secondary Education (double major), with a minor in Philosophy
Master of Fine Arts in Poetry
Master of Theological Studies in Hebrew Bible and Theology and the Arts
PhD in Educational Leadership, dissertation focused on the history of how the Religion Clauses of the First Amendment are/aren’t taught to pre-service teachers and apply to public school settings
That said, I how could I not write a poem about the biblical nonsense happening in Oklahoma right now?
Be sure to check the footnotes at the bottom of the poem…
After writing and revising for well over a decade, I am happy that my poem “Paulie’s War” has been published in Mid-Atlantic Review.
I don’t watch or read the news as much as I should. Probably because this is my mind goes when I do. That said, my poem “the Blue Envelope Program” was just published by The New Verse News
For those who want the footnotes I cut out of the poem:
I keep writing creative nonfiction and (for some reason) people publish it. “How to Tell a Pure Rage Story” pays homage to Tim O’Brien's “How to Tell a True War Story,” but is a tale all its own.
It's now published in Mayday Magazine.
In seminary, I wrote a narrative about a modern prophet through poems. Hopefully, some version of that collection will see the light of day. Until then, one of those poems— “YHWH breaks the forth wall”— has found at home in the latest issue of The Windhover.
I have a guest blog post for A Game for Good Christians’ Card Talk series entitled “God Planning Your Pain to Make A Point.” It employs one of my theological sonnets that appears in The Third Renunciation.
I previously had the privilege of editing AGFGC’s literary anthology This Present Former Glory: An Anthology of Honest Spiritual Literature.
If you don’t know A Game for Good Christians, imagine what you get if you crossed Cards Against Humanity with the Bible.
I was honored to have Kai Coggin and Maya Williams read their amazing poetry as a part of the night. You can watch the recording through the link below.
“the Prophet confronts his attacker” was published in New York Quarterly latest issue. This is one of my theological sonnets that also appears The Third Renunciation (from New York Quarterly Books, 2023).
CW: themes of sexual assault.
I am working on a series of poems I am calling midrash qatan, or “a little story/exposition.” They are expositions, retellings, and reimagings of stories from the Hebrew Bible and Christian New Testament. The name pays homage to Rabbinic genre of Midrash Rabbah (“a great midrash”).
Two of these poems have just been published in Vita Poetica Journal:
“found” (a midrash qatan on Luke 15)
and
“subtlety: an assay” (a midrash qatan on Genesis 3)
Both pages include an audio recording of me reading these poems.
I’m happy to have another one of my poems, "...believes all things", appearing in 3 Elements Literary Review. Read the full issue below
My first publications of the new year are from the Decolonial Passage. Each is an ekphrastic work, which will likely be a part of the collection I am slowly putting together. Read them here.
“reflection” is after James Barnor’s Self-Portrait with a Store Assistant at the West African Drug Company, 1952
“Black Men and Women in a Tavern,” is after the painting by the same name from workshop of David Teniers the Younger (1650)
“casually and casualty share a Latin root” draws from Jackie Sibblies-Drury’s Pulitzer Prize winning play, Fairview.
Today is the 250th anniversary of The Boston Tea Party. My poem, “on watching a reenactment of the boston tea party” was published in The New Verse News.
My poem “dispatches from the desk of Danel: the self-designated disciple and messianic anger-management translator” was published in the latest issue of Pensive Journal out of Northeastern University. Click on the link below and turn to page #77.
Have you watched the Key & Peele sketches involving President Obama's anger translator Luther? That’s the vibe here.
Note: Here are the passages the speaker is … “interpreting”
Demien DineYazhi’s My Ancestors Will Not Let Me Forget This, 2020. Letterpress Print
Terrain.org has published both "when asked what might finally lead me to drink or abuse schedule 1 narcotics" & "white History Month" as a part of their Letter to America series.
Both are accompanied by a “dramatic reading.” Click below to read/listen.
My poem "Invisible Man (Two Views)” was shortlisted in Alan Squire Publishing Annual Poetry Contest and is now in ASP Bulliten’s latest issue.
Invisible Man, Glenn Ligon
This is a doubly ekphrastic poem, inspired by Glenn Ligon’s canvases (by the same name), who in turn took his inspiration from Ralph Ellison’s novel of the same name. Both Ligon and my work represents the opening paragraphs of Ellison’s work to great effect.
So I’m standing on the shoulders of giants. Black excellence.
My poem “American Civics: 2056” was published in River Heron Review’s Poems, For Now issue.
This is an erasure poem from American Civics: A Text Book for High Schools, Normal Schools, and Academies (1906), employing the only mentions of Blacks (“Negroes” or “slaves”) in the whole textbook.
It’s pretty much what you would think and has implications for our collective future.