Publication

Being Present published in Porcupine Literary

 

My creative nonfiction piece “Being Present” was just published in Porcupine Literary. It stands on the shoulders, pays homage to Jamaica Kincaid (and Maurice Carlos Ruffin).

Functionally, it’s a love letter to my kids: past, present, future.

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Fevers of the Mind Poetry Showcase

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As a few people are aware, one of the projects I'm currently working (yes, I said “one of…"“) is a collection of ekphrastic poems: I’m expanding Dust & Ashes into a full-length collection.

To that end, I've spent a good part of the summer visiting a bunch of art museums in three different states (so far) to balance the literary art responses with some visual art. Some fruits of that labor were published today in Fevers of the Mind. Here is the link to the poems:

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Solstice Literary Magazine Stephen Dunn Poetry Prize winner!

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Well I can finally announce that my poem “the Banjo Player explains” was chosen by A Van Jordan as the Solstice Literary Magazine Stephen Dunn Poetry Prize winner!

The poem is an ekphrastic narrative based on Henry Ossawa Tanner’s painting The Banjo Lesson: the painting which was the cover art for my first collection, Teaching While Black.


Poetry Editor Note

It’s a joy to present the selections for the 2023 Stephen Dunn Prize for poetry. The winning poem is “the Banjo Player Explains,” by Matthew E. Henry, selected by our poetry judge for this issue, A. Van Jordan. He writes:

In one of the most assured ekphrastic poems I’ve read in some time, ‘the Banjo Player Explains,’ grants a wish I’ve had since I first saw this Tanner painting: ‘I wish I could hear this lesson played out.’ The poem goes beyond the canvas and the framing of the two figures by “striking a balance between two worlds,” indeed. There’s also the perspective of experiential knowledge of the boy as man, an old man, looking back on a moment he will never forget, yet not initially knowing the significance of it in the moment. There’s great wisdom and a life lesson here.

Read it here

"the patron saint of suicide" in Cola Literary Review

I am proud that my poem “the patron saint of suicide” has been published in Cola Literary Review. You can purcahse a copy here.

This poem is based on the vastly superior poem “Googling the Patron Saint of Suicides” by the amazing Joan Kwon Glass and has a place in my forthcoming chapbook said the Frog to the scorpion from Harbor Editions.

Type Casting in ASP Bulletin

“That’s some white people shit.”

“What?”

“Were all of the people who thought you were gay white?”

“It’s not that they thought I was gay exactly…”

“Not straight. Whatever. Were all of them white?”

“No.” I mentally scroll through faces and races. “Yes?”

“See? You don’t fit their Black-Man stereotype, other than dating white women…”

“Hey…”

“Whatever nigga: you do you. I’m just saying you don’t fit their image of what a Black man is ‘supposed’ to be. You’re not some overly masculine thug, sitting on a stoop, rocking a durag and sipping a 40. A sensitive and educated Black man, who works with kids seems femme to them. So, they assume you’re not straight.”

“No, V. That can’t be it.”

It was.

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Two Poems in Cultural Daily

Thanks to Bunkong Tuon for supporting my work with his students at Union College ) and for turning me on to Cultural Daily, which just published two of my poems.

Click to Read “when asked to read a poem for the Black History Month assembly”—which was actually written for a Black History Month assembly— and “thank you, systemic racism”

 

Also check out “an open letter to the white boy from queens who sang the n-word in a song” by Denesha Lafontant, also at Cultural Daily, which pays homage to my poems. #flattered

"Inscrutable": creative nonfiction in Redivider

I am honored that “Inscrutable,” a story I wrote for/about my AAPI students in response to the Atlanta Spa Shootings, was published by Redivider as their inagural Cultural Critique piece.
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Redivider 20.1 | Cover art — Tea Queen by Aaron Norfolk

He knows the myth, but he is the model minority. The all-around A-student: attentive, astute, Asian. He’s good at math and science, but also garners excellent grades and respect in my sophomore honors English class. He’s soft spoken, but thoughtful. So as the others call out, he raises his hand and waits patiently. When I acknowledge that he will be next, he lowers it back to his desk, places the other over a delicate wrist. When he does speak, on an average Wednesday, I will swear in front of a class for the first time in twenty years of teaching.

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"when asked what I learned during the ‘community forum’ on the appropriateness of my poem" in Bending Genres.

My poem "when asked what I learned during the ‘community forum’ on the appropriateness of my poem" has been published in Issue 30 of Bending Genres.

It’s not a typical poem. It’s a bingo board: I was trying something new.

Note: You may wish to read “when asked how to avoid being seen as racist” for context.

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“when asked how to avoid being seen as racist” at Identity Theory

"compensation" Appears in Home: A Miracle Monocle Mirco-Anthology

I recently started a new series, something that might turn into a chapbook one day. A series of midrash qatan, or “little midrash” on stories, real and imagined, from the Torah. But, of course, midrash qatan is not a thing. I made it up. It stands in contrast with Midrash Rabbah (“great midrash”) which is a thing.

Regardless, I am glad that the first of these poems— “compensation: midrash qatan on Genesis 4:25-32” has found a home in Miracle Monocle’s mirco-anthology, Home. You can read it below. You might want to read the relevant Bible verses in advance.

And no, the title does not contain a typo.