Publication

"Samaritan" (fiction) published in The Metaworker

He needs to regain control. No one knows he took her. There’s no one behind them following. He’s safe. For now. He wrestles his phone out of his pocket, then stops. If her mother sees his name pop up, she’ll ignore the call. He looks into the back seat and snatches the phone clenched in her daughter’s trembling hands. Shoots her a cold look, shutting down the beginnings of her protest. It’s already unlocked. He scrolls through her most recent texts, finds one from earlier in the evening labeled Momma. He wipes the blood from the screen onto his pants before hitting the phone icon and holding it up to his ear. 

Every once in a while a publisher reads my fiction and doesn't say, “stop this. Go back to poetry and CNF. Please.” This is such a time.

“Samaritan” is a dark little piece that was just published in The Metaworker.

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"best date ever" published in Tidings (2026)

he escorts her loveliness into his rusting ’84 Nissan Stanza, which—

stuck in rush hour traffic—overheats fifteen minutes after leaving

campus, twenty minutes from the first date he painstakingly planned

after she asked him out for Valentine’s Day…

“best date ever” is a college memory in poem form recently published in the latest from Tidings. Read or download the whole anthology here. “best date ever” is on page 39.


Two Poems in Wayfarer Magazine

"Won't you come and Celebrate with me" and "when asked to explain racism as a system of power, again" were published in Wayfarer Magazine.

"Biophobia" [creative nonfiction] published in The Manifest Station

This goes out to all of the people who enjoy being in the “Great Outdoors” and those who dig below surfaces they should really leave alone.

Biophobia” started as an exercise in a Kenyon Review Residency last summer and is now a creative nonfiction essay published in The Manifest Station.

“watching a production of The Tempest after a colleague asked about my relationship with white women” published in Terrain

My poem “watching a production of The Tempest after a colleague asked about my relationship with white women” was published in Terrain.org as part of their Letters to America series. The link includes a reading of the poem.

The poem contains research on Caliban in The Tempest from The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper.

Read it here

A poem in The Book of Jobs anthology from One Art

My poem “when asked to read a poem for the Black History Month assembly, again” (first published in Cultural Daily) has been republished in the One Art anthology The Book of Jobs.

You can read the whole anthology on One Art through the link below. A fully accessible edition will be published by Penn State University Libraries Open Publishing in 2026.

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"oh God! please stop!!" in South Florida Poetry Journal

My poem “oh God! please stop!!” now appears in South Florida Poetry Journal . Bonus: a recording of me reading the piece accompanies it. Trigger warning: historical, graphic racial violence.

Click on the link below and scroll down to my name.

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“oh God! please stop!!”
 
from the back of the class, his cry careens
over the heads of the rest—their stricken faces, jaws slack
or furiously clenched, eyes dewy or attempting to shut out
the assailant in my words—but I refuse. continue explaining
the lynching by car of James Byrd Jr., briefly mentioned
in Rankine’s The White Card, open on their desks. the event
is presented as a turning point, character development for ‘Charles,’
a billionaire with Basquiat’s Defacement on his wall. a news story
whose horror shook him into seeing that racism still existed
in the enlightened, heady days of 1998. a details-oriented educator,
I clarify why ‘Charles’ was so troubled.
 
Byrd—49, disabled, Black—was walking home
when three white men—one he thought a friend,
had known his whole life—offered him a ride
in a grey Ford pickup. crushed between them,
they forced him to remote woods, kicked and punched
and baseball batted him in and out of consciousness,
spray painted his face blacker, pissed and shat on him,
retrieved a 24-foot-long chain from the truckbed,
noosed it about his ankles, and dragged him for 1.5 miles.
the FBI’s autopsy determined he was conscious―
trying to keep his upper-body off the road-rashing concrete―
until their carefree swerving swung him into a culvert,
which severed his right arm and head. undaunted,
they continued to drag his remainder for another 1.5 miles
to the cemetery of a Black church, where they mutilated
and distributed his corpse to be found in time
for the following morning’s Sunday service.
 
I tell my class this did not happen in a grainy, black and white photo
of the past. 81 pieces of Byrd were jigsaw-scattered through Jasper, Texas
on June 7th in 1998, two weeks before I graduated from high school,
that I was only two years older than they are now. I remind my stunned―
sobbing, silent—students that I am younger than their parents,
who may send me emails asking why I would subject their children
to these horrors from another time, who may—echoing ‘Charles,’
echoing their children, echoing James Byrd Jr—ask me to please stop.
 
but the truck didn’t, so I can’t. 

"the first letter of Paul to the Church of [name withheld on advice of counsel] published in The New Verse News

Another poem is now appearing in The New Verse News. This time some biblical fanfiction— what the apostle Paul might say to a certain Christian denomination within the US.

“the first letter of Paul to the Church of [name withheld on advice of counsel] is about the ICE detention of Pastor Daniel Fuentes Espinal and uses direct quotes from people my publisher wouldn’t allow me to use. But I still have them. They’re still public on social media. You can do a search.

Read it here

Two poems in Cultural Daily

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(The second poem is a sequel to my previous poem “when asked to read a poem for the Black History Month assembly” also published by CD.).

“There Is No God-Damned Metaphor Here” published in New World Writing Quarterly [CNF]

What started as an interesting physical writing prompt during my Kenyon Workshop Residency, turned into this creative nonfiction piece.

Poetry, the movie Sinners, the Duvalier regime in Haiti, The Cleaning Lady tv show, and more wrapped into this small package.

“There Is No God-Damned Metaphor Here” now appears in New World Writing Quarterly.


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"watching a production of Beauty and the Beast after attempting to be vulnerable" published in Rituals

“watching a production of Beauty and the Beast after attempting to be vulnerable”  is a loosely ekphrastic work in a series of “watching” poems I accidently started writing. It is found within the 2025 edition of Rituals from Anomaly Poetry.


Click on the link below to access the entire anthology.

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