CNF

"Protection" [CNF] published in Portrait of New England

“I started carrying a knife in my junior year of high school. It was around the same time a big brother figure lent me a copy of the novel Vertical Run. The plot: a business executive named David Elliot walks into his office one morning, and his boss aims a gun at his head. He survives the encounter, but a band of ruthless mercenaries shows up attempting to put a bullet or 12 in his back. Dave, a Vietnam vet, has no idea why everyone wants him dead, but he’s more focused on making it out of the high-rise alive than solving the mystery. It was a great read and became one of the handful of books I’ve voluntarily read more than once. While the prose isn't Nobel Prize worthy, it did contain a scene that spoke to something in my anxious mind—a flashback wherein Dave’s unit receives advice from “the Black Mamba,” a colonel they served under. When I later bought my own copy, I dog-eared the page, highlighted the quote, and went about memorizing it.

And what do logic and reason tell us, gentlemen? What they tell us is this: when someone shoots at you, the only rational response is to — with dispassion and dispatch — render that enemy incapable of shooting at you again. There is, gentlemen, no reasonable alternative to this course of action.

It became a mantra, one of the theme songs of my life, constantly playing in the back of my head.”


My creative nonfiction piece “Protection” is a tour of Boston Commons and the Public Gardens and how to appropriately wield a knife in a public setting. It has been published in the latest issue of Portrait of New England.

Click on the link on the below. “Protection” begins on page 33.

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"Gloucester Harbor | 78" published in Nixes Mate

I took a long, wandering walk in Gloucester this summer and stumbled upon an old haunt and old memories. I started writing a poem. It turned into…something. A long poem? A lyric essay? A hybrid piece? I’m not really sure. Also not sure what to do with its content.

Regardless, “Gloucester Harbor | 78” now appears in the latest issue of Nixes Mate Review.

"Stage Proxemics" nominated for a Pushcart Prize

I'm honored to announce that my creative nonfiction piece “Stage Proxemics” was nominated for a Pushcart Prize by Pangyrus.

My brother is a fucking badass. Always has been. Even before he was my brother. I learned how to walk trying to keep up at Afrocentric art shows, poetry readings, dramatic performances, rallies, and protests. He taught me that Black Lives Mattered before the proto-progressives in Boston had heard of George Floyd or Rodney King. I tell people I’m on at least five government watchlists. Between lessons about IRA activities in local catholic parishes and revolutionaries smoking cigars with Fidel Castro, at least one of those lists is definitely his fault.

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"Biophobia" [creative nonfiction] published in The Manifest Station

This goes out to all of the people who enjoy being in the “Great Outdoors” and those who dig below surfaces they should really leave alone.

Biophobia” started as an exercise in a Kenyon Review Residency last summer and is now a creative nonfiction essay published in The Manifest Station.

“There Is No God-Damned Metaphor Here” published in New World Writing Quarterly [CNF]

What started as an interesting physical writing prompt during my Kenyon Workshop Residency, turned into this creative nonfiction piece.

Poetry, the movie Sinners, the Duvalier regime in Haiti, The Cleaning Lady tv show, and more wrapped into this small package.

“There Is No God-Damned Metaphor Here” now appears in New World Writing Quarterly.


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"White Woman Freedom" [CNF] in Identity Theory

She told me to eat, pray, live, laugh, and love. To be #Blessed. To appropriate dances like no one was watching the Black girls on TikTok. To vision board the fridge and every wall, with inspirational quotes giving no credit to the Black women on Instagram. Stolen, like their hair, lips, ass, and tan.

As Paul Mooney said, “Everybody wants to be a nigger, but nobody wants to be a nigger.”


My creative nonfiction piece “White Woman Freedom” was published in Identity Theory.

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New Creative Nonfiction Editor at Porcupine Literary!

I’m the new CNF Editor at Porcupine Literary, a journal for and by educators. Yes, you read that right: CNF, not poetry editor. It’s a strange world. But I’m starting to embrace the whole “I write prose, specifically CNF a lot these days” aspect of my (writing)life.

Send your stuff our way!

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"Explaining 'the patron saint of suicide'" published in Nixes Mate

My creative nonfiction piece “Explaining ‘the patron saint of suicide’” was published in Nixes Mate Review.

As the title suggests, this is an essay that braids the stories of

  1. writing the poem “the patron saint of suicide” (originally published in Cola Literary Review, but also appearing in said the Frog to the scorpion),

  2. how well I disassociate while doing poetry readings, and

  3. a night when I didn’t disassociate while reading “the patron saint of suicide.”

"Perspective" published in After the Art

I wrote a poem entitled “notice five things” (which is currently a finalist for the 2024 Beals Prize for Poetry (more on that later) based on my visits to art museums while composing a manuscript in progress. I also wrote a creative nonfiction version of the events (sort of, kind of), which was just published in After the Art.

“Perspective” is now out in the world.

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"How to Tell a Pure Rage Story" at Mayday Magazine

I keep writing creative nonfiction and (for some reason) people publish it. “How to Tell a Pure Rage Story” pays homage to Tim O’Brien's “How to Tell a True War Story,” but is a tale all its own.

It's now published in Mayday Magazine.

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Guest Post for AGFCG Card Talk Series

I have a guest blog post for A Game for Good Christians’ Card Talk series entitled “God Planning Your Pain to Make A Point.” It employs one of my theological sonnets that appears in The Third Renunciation.

I previously had the privilege of editing AGFGC’s literary anthology This Present Former Glory: An Anthology of Honest Spiritual Literature.

If you don’t know A Game for Good Christians, imagine what you get if you crossed Cards Against Humanity with the Bible.

Being Present published in Porcupine Literary

 

My creative nonfiction piece “Being Present” was just published in Porcupine Literary. It stands on the shoulders, pays homage to Jamaica Kincaid (and Maurice Carlos Ruffin).

Functionally, it’s a love letter to my kids: past, present, future.

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Type Casting in ASP Bulletin

“That’s some white people shit.”

“What?”

“Were all of the people who thought you were gay white?”

“It’s not that they thought I was gay exactly…”

“Not straight. Whatever. Were all of them white?”

“No.” I mentally scroll through faces and races. “Yes?”

“See? You don’t fit their Black-Man stereotype, other than dating white women…”

“Hey…”

“Whatever nigga: you do you. I’m just saying you don’t fit their image of what a Black man is ‘supposed’ to be. You’re not some overly masculine thug, sitting on a stoop, rocking a durag and sipping a 40. A sensitive and educated Black man, who works with kids seems femme to them. So, they assume you’re not straight.”

“No, V. That can’t be it.”

It was.

CLICK BELOW TO READ THE REST OF THE STORY

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"Inscrutable": creative nonfiction in Redivider

I am honored that “Inscrutable,” a story I wrote for/about my AAPI students in response to the Atlanta Spa Shootings, was published by Redivider as their inagural Cultural Critique piece.
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Redivider 20.1 | Cover art — Tea Queen by Aaron Norfolk

He knows the myth, but he is the model minority. The all-around A-student: attentive, astute, Asian. He’s good at math and science, but also garners excellent grades and respect in my sophomore honors English class. He’s soft spoken, but thoughtful. So as the others call out, he raises his hand and waits patiently. When I acknowledge that he will be next, he lowers it back to his desk, places the other over a delicate wrist. When he does speak, on an average Wednesday, I will swear in front of a class for the first time in twenty years of teaching.

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“Out of my Hands” at Zone 3

Two of my kids suffered a tragedy that changed my life. I wrote a horrible poem and a couple of songs about it that never saw the light of day.

Over a decade later, while teaching a memoir unit, I wrote a longer work about it— the first piece of prose I had written since high school. Over the next few years it saw many revisions, many suggested revisions from journal editors, many night thinking.

It’s a story I read every year in my classes. I think I’ve not cried when reading it once.

I am proud to have “Out of my Hands” appearing within the pages of Zone 3.